NEXT CONCERT

Free Admission

November 13, 2026 – 5:30 PM

Conductors
Kellen Scheutze, UNM Graduate Conductor

Concerto Grosso Op3 No 3 E Minor – Francesco Geminiani
Francesco Geminiani’s Concerto Grosso Op. 3 No. 3 in E minor is a Baroque work written in the concerto grosso style, where a small group of solo instruments interacts with the full string ensemble. Geminiani was an Italian violinist and composer who studied with Arcangelo Corelli, whose influence is very strong in this piece.
The concerto has a dark, expressive E minor character, with moments of tension contrasted by more lyrical and graceful passages. The solo and ensemble parts often exchange musical ideas, creating a sense of conversation and dialogue. The work combines dramatic contrasts, flowing melodies, rhythmic energy, and rich string textures, making it a good example of the exc

Concerto for Double Bass – K.D. von Dittersdorf
Karl Ditters von Dittersdorf’s Concerto for Double Bass is a Classical-era concerto that highlights the double bass as a solo instrument. Dittersdorf was an Austrian composer and violinist known for his elegant and lively style.
The concerto is notable because the double bass was usually used as part of the accompaniment rather than as a solo instrument. The piece gives the instrument a chance to show its deep, warm sound, agility, and expressive range. It includes contrasting sections with energetic rhythms, graceful melodies, and playful musical exchanges between the soloist and orchestra. Overall, the concerto has a bright, elegant, and spirited character typical of the Classical period.

Symphony IV in G major Wq 183/4 – Carl Philipp Emanuel Bach
Carl Philipp Emanuel Bach’s Symphony in G major, Wq. 183/4 is a lively and expressive work from the early Classical period, written in 1775. C.P.E. Bach was one of the most important composers of the Empfindsamer Stil, or “sensitive style,” which emphasized strong emotions and sudden changes in mood.
The symphony is known for its dramatic contrasts, energetic rhythms, and expressive melodies. Instead of following the calm and balanced style associated with later Classical composers, C.P.E. Bach uses unexpected accents, dynamic changes, and shifts in harmony to create excitement and emotional tension. The orchestra has an important role in creating these contrasts, giving the piece a bold, energetic, and unpredictable character.

5:30 pm
First Presbyterian Church
208 Grant Ave, Santa Fe